Perspectives on contemporary printmaking 1st edition by Ruth Pelzer Montada – Ebook PDF Instant Download/Delivery: 1526125767 , 9781526125767
Full download Perspectives on contemporary printmaking 1st edition after payment
Product details:
ISBN 10: 1526125767
ISBN 13: 9781526125767
Author: Ruth Pelzer Montada
This anthology, the first of its kind, presents thirty-two texts on contemporary prints and printmaking written from the mid-1980s to the present by authors from across the world. The texts range from history and criticism to creative writing. More than a general survey, they provide a critical topography of artistic printmaking during the period. The book is directed at an audience of international stakeholders in the field of contemporary print, printmaking and printmedia, including art students, practising artists, museum curators, critics, educationalists, print publishers and print scholars. It expands debate in the field and will act as a starting point for further research.
Perspectives on contemporary printmaking 1st Table of contents:
Introduction
Part I: Genealogy
Introduction to Part I
Fragments for an art history of media: electr(on)ic thinking
The technical gaze: the parallel world of photography
Post-print culture?
Part I Further reading
Part II: Debates
Introduction to Part II
The syntax of the print: in search of an aesthetic context
Sentences on printed art
The re-vision of printmaking
The shape of graphic art
The graphic unconscious or the how and why of a print triennial1
Print as other: the future is queer
The what and the why of print1
Part II Further reading
Part III: Keywords
Introduction to Part III
Coordinates of a history of the technical image
The status of the reproduction
Benjamin’s blindspot: aura and reproduction in the post-print age
Are all multiples the same? The problematic nature of the limited edition
Printing plates and pixel matrix: the mechanisation of memory
Opening up an anachronistic point of view (1997)
Untying the knot: memory and forgetting in contemporary print work
Spirit duplication
Three ways to use yellow
On the manual (in the manual)
Animal print suicide
Part III Further reading
Part IV: The field
Introduction to Part IV
Edinburgh Printmakers and the notion of the workshop
Projects and portfolios: narrative and structure
Lasting impressions? A museum perspective on digital fine art printmaking
Print and the public sphere
The work event: art in the distributed field and systems of production
All the instruments agree
Stamping (molding) marks: the San Juan Triennial tracking the new century
Chinese printmaking in the twenty-first century: new horizons and energies
What is ‘studio’ in the post-disciplinary age?
Making a place: art and a multi-modal, multi-disciplinary approach
Failures, irritations and grief in printing: in search of Manly Banister, an excerpt from an unpublishable memoir
Part IV Further reading
Index
People also search for Perspectives on contemporary printmaking 1st:
historical perspectives on contemporary east asia
neo aristotelian perspectives on contemporary science
borrow perspectives on contemporary issues
humanistic perspectives on contemporary counseling issues
feminist perspectives on contemporary educational leadership
Tags: Ruth Pelzer Montada, contemporary printmaking, Perspectives