The Bare Bones Camera Course for Film and Video 1st edition by Chuck DeLaney, Tom Schroeppel – Ebook PDF Instant Download/Delivery: 1621535266, 978-1621535263
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Product details:
ISBN 10: 1621535266
ISBN 13: 978-1621535263
Author: Chuck DeLaney, Tom Schroeppel
When you finish this book, you will know and understand how to shoot good pictures that will edit together seamlessly in post-production. With added chapters on sound and editing, this new edition of The Bare Bones Camera Course for Film and Video rounds out the education of any filmmaker.
Allworth Press, an imprint of Skyhorse Publishing, publishes a broad range of books on the visual and performing arts, with emphasis on the business of art. Our titles cover subjects such as graphic design, theater, branding, fine art, photography, interior design, writing, acting, film, how to start careers, business and legal forms, business practices, and more. While we don’t aspire to publish a New York Times bestseller or a national bestseller, we are deeply committed to quality books that help creative professionals succeed and thrive. We often publish in areas overlooked by other publishers and welcome the author whose expertise can help our audience of readers.
The Bare Bones Camera Course for Film and Video 1st Table of contents:
1. Basics
The Camera—How it Works
Exposure
Color Temperature
Setting Exposure on a Video Camera
Setting Exposure on a Film Camera
Lenses
Depth of Field
2. Composition
The Camera—A Tool for Selective Vision
Use a Tripod
Rule of Thirds
Balance—Leading Looks
Balance—Masses
Balance—Colors
Angles
Frames within the Frame
Leading Lines
Backgrounds
In Search of a Good Composition
3. Basic Sequence
How a Basic Sequence Works
Shooting a Basic Sequence
Cutting on the Action
Clean Entrance/Clean Exit
Some Final Words on Basic Sequences
4. Screen Direction
Screen Direction and Crossing the Line
Using Screen Direction to Solve Shooting Problems
5. Camera Moves
Making Camera Moves
6. Montages
7. Lighting
Exterior Lighting
Interior Lighting
Basic Lighting Setup
8. Sound
Vibrating Bodies Create Spherical Sound Waves
Microphones
Sound Waves Bounce
Record Clean Sound
Wild Effects
Recording Voices and Presence
Voice-Slate and Keep a Sound Log
Remember Your Viewers
The Best Sound Recording Advice I Can Give You
9. Doing It
Planning and Shooting a Sequence
Shooting Scripts and Storyboards
Shooting Out of Sequence
Communicating
Working in Uncontrolled Situations
10. After the Shoot—Editing
The Human Eye as Editor
Read the Script. Divorce the Director.
Good Log = Good Edit
Paper Edits
Establish Your Program’s World, Then Re-Establish It
Look for Basic Sequences, Then Use Them
The Great Underlying Rule of Editing: Make Sure Each New Shot Is Different
Pacing—How Fast Things Change
Use an Appropriate Editing Style
Sound in Editing
Background Music
Selecting and Cutting Library Music
Sound Mixing—Separate Your Tracks
Your Last Step: Divorce the Editor
Some Final Words
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Tags: Chuck DeLaney, Tom Schroeppel, The Bare, Camera Course