Musicology and Dance 1st editon by Davinia Caddy, Maribeth Clark ISBN 110847618X 978-1108476188

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ISBN 10: 110847618X
ISBN 13: 978-1108476188
Author: Davinia Caddy, Maribeth Clark 

Long treated as peripheral to music history, dance has become prominent within musicological research, as a prime and popular subject for an increasing number of books, articles, conference papers and special symposiums. Despite this growing interest, there remains no thorough-going critical examination of the ways in which musicologists might engage with dance, thinking not only about specific repertoires or genres, but about fundamental commonalities between the two, including embodiment, agency, subjectivity and consciousness. This volume begins to fill this gap. Ten chapters illustrate a range of conceptual, historical and interpretive approaches that advance the interdisciplinary study of music and dance. This methodological eclecticism is a defining feature of the volume, integrating insights from critical theory, film and cultural studies, the visual arts, phenomenology, cultural anthropology and literary criticism into the study of music and dance.

Musicology and Dance 1st Table of contents:

Part I – Conceptual Studiespp 17-118
Chapter 1 – Bach and the Dance of Humankindpp 19-48
Chapter 2 – Dance as ‘Other’: Contrasting Modes of Musical Representationpp 49-70
Chapter 3 – Thinking on Our Feet: A Somatic Enquiry into a Haydn Minuetpp 71-90
Chapter 4 – Making Moves in Reception Studies: Music, Listening and Loie Fullerpp 91-118
Part II – Case Historiespp 119-204
Chapter 5 – The ‘Splendid and Shameful Art’: Dancing in and around the Wagnerian Gesamtkunstwerkpp 121-150
Chapter 6 – Hymnody, Dance and the Sacred in the Illustrated Songpp 151-171
By Marian Wilson Kimber
Chapter 7 – Pavanes and Passepieds in the Age of the Cancanpp 172-204
Part III – Critical Readingspp 205-279
Chapter 8 – Nijinsky, Modernism, Repression: The Faun Ballet – Once Again – Under Analysispp 207-230
By David J. Code
Chapter 9 – Choreographing Mahler Songs at the Centenarypp 231-258
By Wayne Heisler Jr
Chapter 10 – Embodied Heritage: English Country Dance in Austen Screen Adaptationspp 259-279

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