The Musician’s Guide to Theory and Analysis Workbook 3rd Edition by Jane Piper Clendinning, Elizabeth West Marvin – Ebook PDF Instant Download/Delivery: 9780393442434 ,0393442438
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Product details:
ISBN 10: 0393442438
ISBN 13: 9780393442434
Author: Jane Piper Clendinning, Elizabeth West Marvin
The Musician’s Guide to Theory and Analysis Workbook 3rd Edition Table of contents:
Chapter 1: Fundamentals of Music
- 1.1 Notation of Pitch and Rhythm
- 1.2 Intervals and Interval Recognition
- 1.3 Scales and Key Signatures
- 1.4 Basic Time Signatures and Rhythms
- Exercises on identifying and writing intervals, scales, and rhythms.
Chapter 2: Scales and Keys
- 2.1 Major and Minor Scales
- 2.2 Harmonic Minor and Melodic Minor
- 2.3 Key Signatures and Circle of Fifths
- 2.4 Transposition of Scales and Keys
- Exercises on scale construction, key identification, and transposition.
Chapter 3: Intervals and Chords
- 3.1 Diatonic Intervals
- 3.2 Simple and Compound Intervals
- 3.3 Triads: Major, Minor, Diminished, Augmented
- 3.4 Seventh Chords
- Exercises on identifying and writing intervals and chords.
Chapter 4: Chord Progressions and Harmony
- 4.1 Diatonic Harmony in Major and Minor Keys
- 4.2 Voice Leading and Chord Spelling
- 4.3 Cadences: Perfect, Plagal, Interrupted, and Half Cadences
- 4.4 Common Chord Progressions (I-IV-V-I, ii-V-I)
- Exercises on harmonizing melodies and creating chord progressions.
Chapter 5: Melodic and Harmonic Analysis
- 5.1 Phrase Structure and Periods
- 5.2 Melodic Motives and Sequences
- 5.3 Harmonic Function and Analysis
- 5.4 Analyzing Musical Phrases and Cadences
- Exercises on identifying harmonic functions and analyzing melodic structure.
Chapter 6: Rhythm and Meter
- 6.1 Simple and Compound Meter
- 6.2 Syncopation and Irregular Rhythms
- 6.3 Polyrhythms and Cross-Rhythms
- Exercises on rhythmic dictation, identifying meters, and rhythm practice.
Chapter 7: Tonicization and Modulation
- 7.1 Tonicization and Secondary Dominants
- 7.2 Modulation to Closely Related Keys
- 7.3 Modulation to Distantly Related Keys
- Exercises on recognizing and analyzing modulations.
Chapter 8: Counterpoint and Voice Leading
- 8.1 Two-Part Counterpoint: Species 1-5
- 8.2 Voice Leading Principles in Classical Harmony
- 8.3 Creating Counterpoint Lines and Exercises
- Exercises on writing and analyzing counterpoint lines and voice leading.
Chapter 9: Form and Analysis
- 9.1 Binary and Ternary Forms
- 9.2 Sonata Form and Exposition
- 9.3 Rondo, Theme and Variations
- 9.4 Analyzing Larger Forms: Sonata and Binary Forms
- Exercises on identifying and analyzing musical forms in different styles.
Chapter 10: Advanced Harmonic Topics
- 10.1 Neapolitan Chord, Augmented Sixth Chords
- 10.2 Chromaticism and Modulation
- 10.3 Advanced Voice Leading Techniques
- Exercises on analyzing chromatic harmony and advanced harmonic functions.
Chapter 11: Musical Styles and Historical Context
- 11.1 Classical Period Harmony and Form
- 11.2 Romantic Era Harmony and Orchestration
- 11.3 20th-Century Music and Contemporary Styles
- Exercises analyzing historical music examples from different periods.
Appendices
- A: Key Signatures and Interval Charts
- B: Glossary of Musical Terms
- C: Answer Key to Selected Exercises
- D: Additional Practice Exercises
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