Design Basics 9th Edition by Stephen Pentak, David Lauer – Ebook PDF Instant Download/Delivery: 1285858227, 9781285858227
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ISBN 10: 1285858227
ISBN 13: 9781285858227
Author: Stephen Pentak, David Lauer
A national bestseller, DESIGN BASICS presents art fundamentals concepts in full two- to four-page spreads, making the text easy for students to refer to while they work and giving instructors the utmost flexibility in organizing the course. The authors provide diverse, two-dimensional visual examples from many periods, peoples, and cultures for all elements and principles of design. This updated edition features an exciting array of stunning new examples of painting, graphic design, architecture, and new media to help students recognize the language of design in everyday life.
Design Basics 9th Table of contents:
Part 1. Design Principles
Chapter 1. Design Process
Introduction
Introduction/Design Defined
Procedures
Procedures/Steps in the Process
Thinking
Thinking/Getting Started
Thinking/Form and Content
Thinking/Form and Function
Looking
Looking/Sources: Nature
Looking/Sources: Artifacts and Objects
Looking/Sources: History and Culture
Doing
Doing/Thinking with Materials
Doing/Doing and Redoing
Critique
Critique/Constructive Criticism
Chapter 2. Unity
Introduction
Introduction/Harmony
Introduction/Visual Unity
Gestalt
Gestalt/Visual Perception
Ways to Achieve Unity
Ways to Achieve Unity/Proximity
Ways to Achieve Unity/Repetition
Ways to Achieve Unity/Continuation
Ways to Achieve Unity/Continuity and the Grid
Unity with Variety
Unity with Variety/The Grid
Unity with Variety/Varied Repetition
Unity with Variety/Emphasis on Unity
Unity with Variety/Emphasis on Variety
Unity with Variety/Chaos and Control
Unity at Work
Unity at Work/Film and Painting
Chapter 3. Emphasis and Focal Point
Introduction
Introduction/Attracting Attention
Ways to Achieve Emphasis
Ways to Achieve Emphasis/Emphasis by Contrast
Ways to Achieve Emphasis/Emphasis by Isolation
Ways to Achieve Emphasis/Emphasis by Placement
Degree of Emphasis
Degree of Emphasis/One Element
Absence of Focal Point
Absence of Focal Point/Emphasizing the Whole over the Parts
Chapter 4. Scale and Proportion
Introduction
Introduction/Scale and Proportion
Scale of Art
Scale of Art/Human Scale Reference
Scale within Art
Scale within Art/Internal Proportions and References
Scale within Art/Contrast of Scale
Manipulating Scale
Manipulating Scale/Hieratic Scale and Fantasy
Proportion
Proportion/The Human Standard
Proportion/Geometry and Notions of the Ideal
Proportion/Root Rectangles
Chapter 5. Balance
Introduction
Introduction/Pictorial Balance
Imbalance
Imbalance/Horizontal and Vertical Placement
Symmetrical Balance
Symmetrical Balance/Bilateral Symmetry
Symmetrical Balance/Examples from Various Art Forms
Asymmetrical Balance
Asymmetrical Balance/Introduction
Asymmetrical Balance/Balance by Value and Color
Asymmetrical Balance/Balance by Texture and Pattern
Asymmetrical Balance/Balance by Position and Eye Direction
Asymmetrical Balance/Analysis Summary
Radial Balance
Radial Balance/Examples in Nature and Art
Crystallographic Balance
Crystallographic Balance/Allover Pattern
Chapter 6. Rhythm
Introduction
Introduction/Engaging the Senses
Introduction/Visual Rhythm
Rhythm and Motion
Rhythm and Motion/Shapes and Repetition
Alternating Rhythm
Alternating Rhythm/Patterns and Sequence
Progressive Rhythm
Progressive Rhythm/Converging Patterns
Polyrhythmic Structures
Polyrhythmic Structures/A Study in Contrast
Part 2. Design Elements
Chapter 7. Line
Introduction
Introduction/A Point Set in Motion
Line and Shape
Line and Shape/Defining Shape and Form
Types of Line
Types of Line/Contour and Gesture
Inherent Line
Inherent Line/Structure of the Rectangle
Connecting Points of Emphasis
Connecting Points of Emphasis/Implied and Psychic Lines
Line Direction
Line Direction/Horizontal, Vertical, and Diagonal Lines
Line Quality
Line Quality/Creating Variety and Emphasis
Line as Value
Line as Value/Using Lines to Create Dark and Light
Line in Painting
Line in Painting/Outline of Forms
Line in Painting/Explicit Gestural Line
Lost-and-Found Contour
Lost-and-Found Contour/Suggestions of Form
Chapter 8. Shape
Introduction
Introduction/Shaping Perception
Predominance of Shape
Volume-Mass
Volume-Mass/Working in Two and Three Dimensions
Naturalism and Idealism
Naturalism and Idealism/Nature and Aspiring to Perfection
Naturalism and Distortion
Naturalism and Distortion/Exaggerated Shapes
Abstraction
Abstraction/Essential Shapes
Nonobjective Shapes
Nonobjective Shapes/Pure Forms
Curvilinear Shapes
Rectilinear Shapes and Combinations
Rectilinear Shapes and Combinations/Shapes in Combination
Positive-Negative Shapes
Positive-Negative Shapes/Introduction
Positive-Negative Shapes/Isolation or Integration
Positive-Negative Shapes/Emphasis on Integration
Positive-Negative Shapes/Ambiguity
Chapter 9. Pattern and Texture
Pattern
Pattern/Creating Visual Interest
Pattern/Tessellation and Geometric Patterns
Texture and Pattern
Texture and Pattern/Similarities and Differences
Texture
Texture/Creating Visual Interest
Tactile Texture
Tactile Texture/Actual and Implied
Tactile Texture/Collage
Visual Texture
Visual Texture/Verisimilitude and Trompe L’oeil
Chapter 10. Illusion of Space
Introduction
Introduction/Translating Space to Two Dimensions
Devices to Show Depth
Devices to Show Depth/Size
Devices to Show Depth/Overlapping
Devices to Show Depth/Vertical Location
Devices to Show Depth/Aerial Perspective
Devices to Show Depth/Plan, Elevation, Perspective
Devices to Show Depth/Linear Perspective
Devices to Show Depth/One-Point Perspective
Devices to Show Depth/Two-Point Perspective
Devices to Show Depth/Multipoint Perspective
Amplified Perspective
Amplified Perspective/A Different Point of View
Multiple Perspective
Multiple Perspective/A Pictorial Device
Axonometric Projection
Axonometric Projection/Casting Lines on an Angle
Open Form-Closed Form
Open Form-Closed Form/The Concept of Enclosure
Transparency
Transparency/Equivocal Space
Conclusion
Conclusion/Complexity and Subtlety
Chapter 11. Illusion of Motion
Introduction
Introduction/Stillness and Arrested Action
Anticipated Motion
Anticipated Motion/Seeing and Feeling Impending Action
Ways to Suggest Motion
Ways to Suggest Motion/Figure Repeated, Figure Cropped
Ways to Suggest Motion/Blurred Outlines and Fast Shapes
Ways to Suggest Motion/Multiple Image
Optical Movement
Optical Movement/Afterimage and Eye Movement
Chapter 12. Value
Introduction
Introduction/Light and Dark
Value Pattern
Value Pattern/Variations in Light and Dark
Value as Emphasis
Value as Emphasis/Creating a Focal Point
Value and Space
Value and Space/Using Value to Suggest Space
Techniques
Techniques/An Overview
Chapter 13. Color
Introduction
Introduction/Color Theory
Color Characteristics
Color Characteristics/Color Perception
Properties of Color
Properties of Color/Hue and the Three Dimensions of Color Perception
Properties of Color/Value
Properties of Color/Intensity-Complementary Colors
Palettes
Palettes/Mixing Light and Mixing Pigments
Visual Color Mixing
Visual Color Mixing/Techniques That Suggest Light
Cool-Warm Colors
Cool-Warm Colors/Identifying Color with the Senses
Color as Emphasis
Color as Emphasis/Color Dominance
Color and Balance
Color and Balance/Achieving Balance within Asymmetrical Composition
Color and Space
Color and Space/Color’s Spatial Properties
Color Schemes
Color Schemes/Monochromatic/Analogous
Color Schemes/Triadic-Complementary
Color Discord and Vibrating Colors
Color Discord and Vibrating Colors/Unexpected Combinations
Color Uses
Color Uses/Local, Optical, Arbitrary
Emotional Color
Emotional Color/Color Evokes a Response
Color Symbolism
Color Symbolism/Conceptual Qualities of Color
Bibliography
Photographic Sources
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