Essential Cinema An Introduction to Film Analysis 1st edition by Jon Lewis – Ebook PDF Instant Download/Delivery: 1439083681, 9781439083680
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Product details:
ISBN 10: 1439083681
ISBN 13: 9781439083680
Author: Jon Lewis
Succinct, lively, and affordable, ESSENTIAL CINEMA: AN INTRODUCTION TO FILM ANALYSIS vividly illustrates principles in action as it helps you develop effective skills in close analysis. The book is packed with frame captures you can readily relate to, and it also features interviews with film practitioners throughout, giving you insight into real-world practice. In addition, unique screening questions at the end of each chapter help you apply chapter concepts to any film you watch, while the running glossary and end-of-text illustrated glossary offer easy access to full explanations of concepts.
Essential Cinema An Introduction to Film Analysis 1st Table of contents:
Here is the table of contents you provided, formatted in a clear and consistent style:
1. Analyzing Movies
1-1. The Magic of Movies
1-1a. The Moving Image
1-1b. Modern Moviegoing
1-2. Movies as Entertainment and Art
1-2a. Appreciating and Understanding Entertainment
1-2b. Appreciating and Understanding Complex Films
1-3. How to “Read” a Film
1-3a. Form and Style
1-3b. Text and Context
Chapter Summary
Focus on Analyzing Films: Citizen Kane
Analyze. Movies
2. Narrative and Genre
2-1. Narrative Structure
2-1a. Plot and Story Order
2-1b. Stories in Three Acts
2-1c. The Hero’s Journey
2-1d. A and B Stories
2-1e. Parallel Stories
2-1f. Narrative Time
2-2. Characters
2-2a. Character Motivation
2-2b. Character Types
2-2c. Dialogue and Narration
2-2d. Movie Stars and Screen Characters
2-3. Genre
2-3a. Form and Formula: The Western
2-3b. Form and Effect: The Horror Film
2-3c. The Social Function of Genre
Chapter Summary
Focus on Story and Genre: Double Indemnity
Analyze. Narrative and Genre
3. Mise-En-Scène
3-1. The Set
3-1a. From the Drawing Board to the Screen: Set Design
3-1b. Sets on Location
3-1c. Sets and Milieu
3-1d. Sets and Special Effects
3-1e. Stylized Sets
3-1f. Props
3-2. Costumes, Makeup, and Hair
3-2a. From the Drawing Board to the Screen: Costumes, Makeup, and Hair
3-2b. Communicating Character through Costumes, Makeup, and Hair
3-3. Blocking and Performance
3-3a. Blocking and Narrative
3-3b. Blocking and Visual Design
3-3c. Screen Acting Styles
3-4. The Lights
3-4a. Three-Point Lighting
3-4b. Other Lighting Schemes
3-4c. Tinted Light
3-4d. Natural and Artificial Light
Chapter Summary
Focus on Mise-en-Scène: Psycho
Analyze. Mise-En-Scène
4. Camera Work
4-1. Camera Placement
4-1a. Angle
4-1b. Distance
4-1c. Off-Screen Space
4-2. Camera Movement
4-2a. The Tracking Shot, Dolly Shot, and Steadicam
4-2b. Subjective Camera
4-2c. Handheld Camera
4-2d. Pan and Tilt
4-3. Focus and Depth
4-3a. Focal Length
4-3b. Depth of Field
4-4. Stock, Exposure, Color, and Effects
4-4a. Film Stock
4-4b. Exposure
4-4c. Digital versus Film
4-4d. Color and Black-and-White
4-4e. Speed of Motion
Chapter Summary
Focus on Camera Work: Jurassic Park
Analyze. Camera Work
5. Editing
5-1. Elements of Editing
5-1a. Shot Relationships
5-1b. Tonal and Graphic Relationships
5-1c. Rhythm and Tempo
5-1d. Elliptical Editing and the Montage Sequence
5-1e. Alternatives to the Cut
5-2. Continuity Editing
5-2a. The 180 Degree Rule
5-2b. The Eyeline Match
5-2c. Editing Parallel and Simultaneous Actions
5-3. Alternative Editing Styles
5-3a. The Insert
5-3b. The Jump Cut
5-3c. TV-Style Editing
Chapter Summary
Focus on Editing: The Hurt Locker
Analyze. Editing
6. Sound
6-1. Sound and Image
6-1a. Diegetic and Nondiegetic Sounds
6-1b. On-Screen and Off-Screen Sounds
6-1c. Simultaneous and Non-Simultaneous Sounds
6-2. The Voice Track
6-2a. Recording Dialogue
6-2b. Direct Address
6-2c. Voice-Over Narration
6-3. Music
6-3a. Background Music
6-3b. The Pop Music Soundtrack
6-3c. Musicals
6-4. Sound Effects
6-4a. Producing Sound Effects
6-4b. Sound Effects and Narrative
6-4c. Distorted Effects
6-5. Sound Editing and Mixing
6-5a. Sound Editing
6-5b. Sound Mixing
Chapter Summary
Focus on Sound: Nashville
Analyze. Sound
7. Commercial and Industrial Contexts
7-1. The Business of Film
7-1a. Movies and Money
7-1b. Movies, Money, and Modes of Production
7-1c. Mass Production for a Mass Medium
7-2. Distribution and Marketing
7-2a. Positioning
7-2b. Trailers and Posters
7-2c. Test Screenings
7-2d. Distribution Strategies
7-2e. Cross-Promotion and Merchandising
7-3. Exhibition
7-3a. From Storefront Theaters to the Modern Multiplex
7-3b. Theatrical Formats: Flat and Widescreen
7-3c. The Future of Film Exhibition: IMAX, 3-D, and Digital Cinema
7-3d. Theater Sound
Chapter Summary
Focus on Film Promotion: Mission: Impossible–Ghost Protocol
Analyze. Commercial and Industrial Contexts
8. Documentary, Animated, and Experimental Films
8-1. Documentary
8-1a. Actualities and Other Slices of Life
8-1b. Ethnography and Travelogue
8-1c. The Propaganda Film
8-1d. Direct Cinema
8-1e. Subjective, or First-Person, Documentary
8-2. Animation
8-2a. Early Animation
8-2b. The Wonderful World of Disney
8-2c. Warner Bros.
8-2d. Contemporary Animation
8-3. Experimental Film
8-3a. Surrealism
8-3b. The New York Underground
8-3c. Feminism and Experimentalism
Chapter Summary
Focus on Analyzing Documentary: General Idi Amin Dada
Focus on Animation: Rabbit of Seville
Focus on Experimental Film: Meshes of the Afternoon
Analyze. Documentary, Animated, and Experimental Films
9. Film History
9-1. Hollywood
9-1a. Early Cinema
9-1b. Silent Cinema
9-1c. Classical Hollywood
9-1d. Hollywood in Transition
9-1e. The Auteur Renaissance
9-1f. The New Hollywood
9-2. American Independents
9-2a. Race Films
9-2b. Poverty Row
9-2c. Exploitation
9-2d. Marginalized Filmmakers
9-2e. Boutique Independents
9-3. Europe
9-3a. German Expressionism
9-3b. Soviet Formalism
9-3c. Italian Neorealism
9-3d. New Waves in France, Britain, and Eastern Europe
9-4. Non-Western Film
9-4a. Modern Japanese Cinema
9-4b. Contemporary Hong Kong Action Films
9-4c. Bollywood
Chapter Summary
Focus on Analyzing Film History: Bicycle Thieves
Analyze. The Historical Context
10. Writing about Film
10-1. Essay Writing Strategies
10-1a. Understand the Assignment
10-1b. Close Reading and Taking Notes
10-1c. Organizing and Writing
10-1d. Revising and Proofreading
10-2. Research and Citation
10-2a. Conducting Research
10-2b. Crediting Sources
10-2c. MLA Documentation Style
10-2d. APA Documentation Style
10-2e. Chicago Manual Documentation Style
Focus on Writing a Scene Analysis Paper: Now, Voyager
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