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Futures of Dance Studies 1st Edition by Susan Manning, Janice Ross, Rebecca Schneider 0274729636 978-0274729630

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ISBN 10: 0274729636

ISBN 13: 978-0274729630

Author: Susan Manning, Janice Ross, Rebecca Schneider

A collaboration between well-established and rising scholars, Futures of Dance Studies suggests multiple directions for new research in the field. Essays address dance in a wider range of contexts—onstage, on screen, in the studio, and on the street—and deploy methods from diverse disciplines. Engaging African American and African diasporic studies, Latinx and Latin American studies, gender and sexuality studies, and Asian American and Asian studies, this anthology demonstrates the relevance of dance analysis to adjacent fields.

Table of contents:

  1. Kinesthetic Seeing: A Model for Practice-in-Research
  2. King David in the Medieval Archives: Toward an Archaic Future for Dance Studies Kathryn Dickason
  3. Dancing Dahomey at the World’s Fair: Revising the Archive of African Dance Joanna Dee Das
  4. Critical Memory: Arthur Mitchell, Dance Theatre of Harlem, and the Rise of the Invisible Dancers Gil
  5. Breathing Matters: Breath as Dance Knowledge Laura Karreman
  6. Desires
  7. Lesbian Echoes in Activism and Writing: Jill Johnston’s Interventions
  8. Accent, Choreomusicality, and Identity in Rodeo and ‘Rōdē,ō
  9. Flesh Dance: Black Women from Behind
  10. Winin’ through the Violence: Performing Carib[being]ness at the Brooklyn Carnival
  11. Sites
  12. Second Line Choreographies in and beyond New Orleans
  13. The Dance in the Museum: Grant Hyde Code and the Brooklyn Museum Dance Center
  14. Dancing the Image: Virgilio Sieni’s Choreographic Tableaux
  15. Sidewalk Choreographies: The Politics of Moving Along in Battery Opera’s Lives Were Around Me
  16. Politics
  17. Convening Muses and Turning Tables: Reimagining a Danced Politics of Time in Jordan Bennett and Marc
  18. Les Ballets Jazz and White Mythologies of Blackness in Québec
  19. Cuban Modern Dance after Censorship: A Colorful Gray, 1971–74
  20. Tango and Memory on the Contemporary Dance Stage
  21. Economics
  22. Breaking Point? Flexibility, Pain, and the Calculus of Risk in Neoliberal Multiculturalism
  23. Who Makes a Dance? Studying Infrastructure through a Dance Lens
  24. The Choreographic Commodity: Assigning and Policing Value for Nite Moves and William Forsythe
  25. Walking Backward: Choreographing the Greek Crisis
  26. Virtuositie
  27. Dance of the Undead: The Wilis’ Imperial Legacy
  28. Disavowing Virtuosity, Performing Aspiration: Choreographies of Anticlimax in the Work of Yve Laris
  29. Circulations
  30. Do Iranian Dancers Need Saving? Savior Spectatorship and the Production of Iranian Dancing Bodies as
  31. Costuming Brownnesses in British South Asian Dance
  32. Intimating Race: Tao Ye’s 4 and Methods for World Dance
  33. Locating Performance: Choe Seung-hui’s East Asian Modernism and the Case for Area Knowledge in Dan
  34. Toward a Critical Globalized Humanities: Dance Research in Mexico City at the CENIDID

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