Jazz The First 100 Years Enhanced Media 3rd Edition by Henry Martin, Keith Waters – Ebook PDF Instant Download/Delivery: 1305804430, 9781305804432
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Product details:
ISBN 10: 1305804430
ISBN 13: 9781305804432
Author: Henry Martin, Keith Waters
Appealing to music majors and nonmajors alike, JAZZ: THE FIRST 100 YEARS, NON-MEDIA EDITION, 3e delivers a thorough introduction to jazz as it explores the development of jazz from its nineteenth-century roots in blues and ragtime, through swing and bebop, to fusion and contemporary jazz styles. Completely up to date, the text devotes a full third of its coverage to performers from the 1960s to the present day. It also includes expansive coverage of women in jazz. Biographies, social history, and timelines at the beginning of chapters put music into context–giving students a true feel for the ever-changing sound of jazz.
Jazz The First 100 Years Enhanced Media 3rd Table of contents:
1. Roots
African American Music in the Nineteenth Century
Sources of Musical Diversity
The Preservation of African Traditions
European Music in the Nineteenth Century
Instrumentation, Form, and Harmony
Written Versus Head Arrangements
Early African American Music
The Character of Early African American Music
Christianity, the Ring Shout, Spirituals, and Work Songs
Blue Notes and Syncopation
Minstrelsy
Ragtime
Scott Joplin
James Scott
Joseph Lamb
Artie Matthews
Ragtime’s Relationship to Jazz
The Blues
W. C. Handy
Blues Form
Pioneers of the Delta Blues
Bessie Smith
Characteristics of Early Jazz Singing
Boogie-Woogie and Other Forms of the Blues
Exam Review Questions
Key Terms
2. Early Jazz
The Shift from Ragtime to Jazz
New Orleans
How Did Jazz Arise in New Orleans?
Buddy Bolden
The Evolution of the Jazz Band
Early Jazz Instruments and Their Players
Cornet
Trombone
Clarinet
Bass/Tuba
Guitar/Banjo
Drums
Piano
The Exodus from New Orleans
The Migration North
The Roaring Twenties
The Chicago Jazz Scene in the Late 1910s and Early 1920s
The Advent of Jazz Recording
The ODJB and the First Jazz Recording
King Oliver and the Creole Jazz Band
The Evolution of Improvisation
Exam Review Questions
Key Terms
3. Morton, Bechet, Armstrong, and Beiderbecke
Jelly Roll Morton
Sidney Bechet
Louis Armstrong
Armstrong’s Classic Style
Armstrong in the Later 1920s
The Chicagoans and Bix Beiderbecke
Exam Review Questions
Key Terms
4. 1920s Jazz in New York and Europe
Tin Pan Alley
The Harlem Renaissance
Harlem Stride Piano
Eubie Blake
James P. Johnson
Fats Waller
Art Tatum
Paul Whiteman and George Gershwin
Beginnings of the Big Bands
Fletcher Henderson
Duke Ellington’s Early Career
Jazz in Europe
Exam Review Questions
Key Terms
5. The Swing Era
Social Upheavals in the 1930s
A Decade of Swing
The Big Band in the Swing Era
Instrumentation, Technique, and Arrangement
The Changing Role of the Rhythm Section
Territory Bands
The Original Blue Devils
Kansas City
Mary Lou Williams and The Clouds of Joy
Count Basie
Benny Goodman: King of Swing
Goodman’s Later Career
Ellington After the Cotton Club
Building on the Band
Changes for the Better
The 1940s
Exam Review Questions
Key Terms
6. Swing-Era Bands and Stylists
Influential Big Bands of the Swing Era
Cab Calloway
Jimmie Lunceford
Chick Webb
The Casa Loma Orchestra
Mckinney’s Cotton Pickers
Tommy and Jimmy Dorsey
Glenn Miller
Artie Shaw
Louis Armstrong and His Orchestra
World War II and The “All-Girl” Bands
Swing-Era Stylists
Benny Goodman
Coleman Hawkins
Lester Young
Roy Eldridge
Jack Teagarden
Earl Hines
Teddy Wilson
Jimmy Blanton
Jo Jones
Gene Krupa
Charlie Christian
Benny Carter
Billie Holiday
Summary of the Features of Swing
Exam Review Questions
Key Terms
7. The Bebop Era
The War Years and the 1940s
Revolution Versus Evolution
Characteristics of the Bebop Style
The Historical Origins of Bebop
The Early Forties: Jamming at Minton’s and Monroe’s
Big Bands in the Early 1940s
Bebop Moves to Fifty-second Street
The Architects of Bebop
Charlie Parker
Dizzy Gillespie
Latin Jazz
Bud Powell
Thelonious Monk
Other Bebop Artists
J.J. Johnson
Fats Navarro
Dexter Gordon
Bop-Style Big Bands of the Late 1940s
Woody Herman
Claude Thornhill
Exam Review Questions
Key Terms
8. The 1950s and New Jazz Substyles
Jazz and the New Substyles
Cool Stylists
Miles Davis and Birth of the Cool
Gerry Mulligan and Chet Baker
The Modern Jazz Quartet
Dave Brubeck
Stan Getz
Lennie Tristano
Jazz on the West Coast
Third-Stream Music
Piano Stylists
Hard Bop and Funky/Soul Jazz
Art Blakey and the Jazz Messengers
Horace Silver
Clifford Brown–Max Roach Quintet
Sonny Rollins
Charles Mingus
Miles Davis in the 1950s
Exam Review Questions
Key Terms
9. The 1960s Avant-Garde
Ornette Coleman and Free Jazz
John Coltrane
Overview of Coltrane’s Career
Early Years
Hard Bop with Miles Davis
Coltrane’s Classic Quartet
Coltrane and the Avant-Garde
Eric Dolphy
Avant-Garde Jazz and Black Activism
Archie Shepp
Albert Ayler
Black Activism and the Avant-Garde Today
Cecil Taylor
Sun Ra
Chicago: AACM, the Art Ensemble of Chicago, and Anthony Braxton
Black Artists Group and the World Saxophone Quartet
Exam Review Questions
Key Terms
10. Mainstream Jazz: Into the 1960s
Vocalists in the 1950s and 1960s
Ella Fitzgerald
Sarah Vaughan
Cool Singing in the 1950s: The Big Band Legacy
Joe Williams
Vocalese: Eddie Jefferson and Lambert, Hendricks, and Ross
Frank Sinatra
The Big Bands Persevere
Count Basie and The New Testament Band
Duke Ellington After 1950
Thad Jones–Mel Lewis Big Band
Miles Davis in the 1960s
Pianists
Bill Evans
Herbie Hancock
Chick Corea
Keith Jarrett and ECM Records
Funky/Soul Jazz
Cannonball Adderley
The Blues In Funky/Soul Jazz
Jimmy Smith and Jazz Organists
Guitarists
The Hard Bop Legacy in the 1960s
Blue Note Records
Lee Morgan and Freddie Hubbard
Wayne Shorter
Joe Henderson
Other Blue Note Artists
Exam Review Questions
Key Terms
11. Jazz-Rock, Jazz-Funk Fusion
Elements of Jazz-Rock and Jazz-Funk Fusion
The Synthesizer
The Role of the Electric Guitar
The Character of Seventies Fusion
The Appeal of Rock and Funk
The Fusion Music of Miles Davis
Other Fusion Pioneers
Lifetime
Mahavishnu Orchestra
Herbie Hancock and Headhunters
Chick Corea and Return to Forever
Weather Report
Pat Metheny
Other Fusion Bands: The Brecker Brothers and Steps
Exam Review Questions
Key Terms
12. Jazz Since the 1980s
Classicism and the Jazz Repertory Movement
Complete Jazz-Recording Reissues
Jazz Pedagogy
Jazz Repertory
Wynton Marsalis
The Blakey Alumni
Big Bands
The Popular Connection
Digital Technology
Smooth Jazz
Acid Jazz and Hip Hop
The Mass Market: Radio and the Internet
Neo-Swing
The Avant-Garde, World Music, Crossover, and Jazz to Come
Jazz and Feminism
Jazz Abroad
Latin Jazz: The Afro-Cuban Tradition, The Caribbean, and Salsa
Crossover, Postmodernism, and World Music
Directions for Crossover Jazz
The Future of Jazz
Exam Review Questions
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Tags: Henry Martin, Keith Waters, The First, Enhanced Media