Music and Consciousness 2 Worlds, Practices, Modalities 2nd Edition BY Ruth Herbert, David Clarke, Eric Clarke ISBN 0192526510 9780192526519

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ISBN 10: 0192526510
ISBN 13: 9780192526519
Author: Ruth Herbert, David Clarke, Eric Clarke

Consciousness has been described as one of the most mysterious things in the universe. Scientists, philosophers, and commentators from a whole range of disciplines can’t seem to agree on what it is, generating a sizeable field of contemporary research known as consciousness studies. Following its forebear Music and Consciousness: Philosophical, Psychological and Cultural Perspectives (OUP, 2011), this volume argues that music can provide a valuable route to understanding consciousness, and also that consciousness opens up new perspectives for the study of music. It argues that consciousness extends beyond the brain, and is fundamentally related to selves engaged in the world, culture, and society. The book brings together an interdisciplinary line up of authors covering topics as wide ranging as cognitive psychology, neuroscience, psychoanalysis, philosophy and phenomenology, aesthetics, sociology, ethnography, and performance studies and musical styles from classic to rock, trance to Daoism, jazz to tabla, and deep listening to free improvisation. Music and Consciousness 2 will be fasinating reading for those studying or working in the field of musicology, those researching consciousness as well as cultural theorists, psychologists, and philosophers.

Music and Consciousness 2 Worlds, Practices, Modalities 2nd Table of contents:

Part I Music, consciousness, and the four Es

1 Situated approaches to musical experience

2 Cognitive extension and musical consciousness

3 Music as affective scaffolding

4 Empathy and the ecology of musical consciousness

5 Feeling at one: Socio-affective distribution, vibe, and dance-music consciousness

6 Strange loops of attention, awareness, action, and affect in musical improvisation

Part II Consciousness in musical practice

7 Performative passivity: Lessons on phenomenology and the extended musical mind with the Danish String Quartet

8 Music, phenomenology, and the ‘natural attitude’: Analysing Sibelius, thinking with Husserl, reflecting on Dennett

9 Practical time consciousness in musical performance

10 The interplay between conscious and subconscious processes during expert musical improvisation

11 Conscious and non-conscious perception and action in musical performance

12 What kind of conscious activity is ‘listening to music’? A contribution from Theodor Adorno by way of psychoanalysis

Part III Kinds of musical consciousness

13 Absorption and openness to experience: An everyday tale of traits, states, and consciousness change with music

14 Absorptive listening states in tracne music

15 Musical imagery and the temporality of consciousness

16 Dual consciousness and unconsciousness: The structure and spirituality of polymetric tabla compositions

17 (Un)consciousness? Music in the Daoist context of nonbeing

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