Music for Sight Singing 9th Edition by Nancy Rogers, Robert W. Ottman – Ebook PDF Instant Download/Delivery: 020594745X, 9780205947454
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Product details:
ISBN 10: 020594745X
ISBN 13: 9780205947454
Author: Nancy Rogers, Robert W. Ottman
The most engaging and musical Sight-Singing text on the market.
Music for Sight Singing is structured around organized melodiesdrawn from the literature of composed music and a wide range of the world’s folk music. Real music exercises allow readers to practice sight singing and develop their “mind’s ear” — the ability to imagine how music sounds without first playing it on an instrument.
The ninth edition continues to introduce a host of important musical considerations beyond pitch and rhythm- including dynamics, accents, articulations, slurs, repeat signs, and tempo markings. The book’s arrangement of simple to complex exercises lays the foundations for success.
Learning Goals
Upon completing this book, readers will be able to:
- Fluently read rhythms in simple and compound meters, including those in relatively unusual, irregular, or changing meter signatures.
- Sight sing melodies in any major or minor key, and in any diatonic mode.
- Effortlessly read all four common clefs.
- Understand common musical symbols and terms.
- Recognize and sing important harmonic features such as dominant seventh and Neapolitan chords.
- Improvise effectively from a variety of background structures such as a harmonic progression or an underlying contrapuntal framework.
- Negotiate chromatic passages from simple embellishing tones and tonicizations to modulations to post-tonal music.
Table of contents:
Part I. Diatonic Intervals and Basic Rhythm
1: Rhythm: Simple Meters; The Beat and Its Division into Two Parts
2: Melody: Stepwise Melodies, Major Keys
3: Melody: Leaps within the Tonic Triad, Major Keys
4: Melody: Leaps within the Tonic Triad, Major Keys; Compound Meters
5: Melody: Minor Keys; Leaps within the Tonic Triad
6: Melody: Leaps within the Dominant Triad (V); Major and Minor Keys
7: The C Clefs: Alto and Tenor Clefs
8: Melody: Further Use of Diatonic Leaps
9: Melody: Leaps within the Dominant Seventh Chord (V7) and Other Diatonic Seventh Leaps
Part II. Diatonic Intervals and Subdivision of the Beat
10: Rhythm: Subdivision of the Beat
11: Melody: Leaps within the Tonic and Dominant Triads
12: Melody: Further Use of Diatonic Leaps
Part III. Chromaticism and Advanced Rhythm
13: Rhythm and Syncopation
14: Rhythm: Triplet and Duplet Division
15: Melody: Chromaticism (I)
16: Melody: Chromaticism (II)
17: Rhythm: Changing Meter Signatures and the Hemiola
18: Rhythm: Further Subdivision of the Beat; Melody in Slow Tempi
19: Melody: Chromaticism (III)
Part IV. The Diatonic Modes and Recent Music
20: Melody: The Diatonic Modes
21: Rhythm and Melody in the Twentieth and Twenty-First Centuries
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Tags: Nancy Rogers, Robert W Ottman, Music, Sight Singing