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Music for Sight Singing 10th Edition by Nancy Rogers, Robert Ottman ISBN 9780134475431 0134475437

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ISBN 10: 0134475437
ISBN 13: 9780134475431
Author: Nancy Rogers, Robert W. Ottman

Music for Sight Singing

This is the eBook of the printed book and may not include any media, website access codes, or print supplements that may come packaged with the bound book. For courses in sight singing and music theory.   The most celebrated, engaging, and musical sight-singing text on the market A freshly updated edition of the classic musical textbook, Music for Sight Singing, 10th Edition, is structured around organized melodies, drawn from the literature of composed music and a wide range of the world’s folk music. Real music exercises allow readers to practice sight singing and develop their “mind’s ear,” the ability to imagine how music sounds without first playing it on an instrument. The new edition includes even more melodies and several new topics; improved introductions to minor keys, pre-dominant leaps, and chromaticism; and increased use of bass and C clefs — while retaining the simple-to-complex arrangement that lays the foundation for success.
 

Music for Sight Singing 10th Table of contents:

Part I: Melody – Diatonic Intervals & Rhythm – Division of the Beat

  • 1. Rhythm: Simple Meters; The Beat and Its Division into Two Parts

    • Rhythmic Reading (Sections 1-5)

  • 2. Melody: Stepwise Melodies, Major Keys

    • Sight Singing (Sections 1-5)

  • 3. Melody: Leaps within the Tonic Triad, Major Keys

    • Simple and Compound Meters (Sections 1-7)

  • 4. Melody: Leaps within the Tonic Triad, Major Keys

    • Rhythm in Compound Meters (Sections 1-7)

  • 5. Melody: Minor Keys; Leaps within the Tonic Triad

    • Simple and Compound Meters (Sections 1-6)

  • 6. Melody: Leaps within the Dominant Triad (V)

    • Major and Minor Keys; Simple & Compound Meters (Sections 1-8)

  • 7. The C Clefs: Alto and Tenor Clefs

    • Practice and Improvisation (Sections 1-5)

  • 8. Melody: Further Use of Diatonic Leaps

    • Simple & Compound Meters (Sections 1-8)

  • 9. Melody: Leaps within the Dominant Seventh Chord (V7)

    • Other Diatonic Seventh Leaps (Sections 1-5)

Part II: Melody – Diatonic Intervals & Rhythm – Subdivision of the Beat

  • 10. Rhythm: Subdivision of the Beat

    • Simple and Compound Meters (Sections 1-6)

  • 11. Melody: Leaps within the Tonic and Dominant Triads

    • Subdivision in Simple and Compound Meters (Sections 1-2)

  • 12. Melody: Further Use of Diatonic Leaps

    • Additional Practice (Sections 1-6)

Part III: Melody – Chromaticism & Rhythm – Further Practices

  • 13. Rhythm and Syncopation

    • Reading & Sight Singing (Sections 1-11)

  • 14. Rhythm and Triplet/Duplet Division

    • Reading & Sight Singing (Sections 1-7)

  • 15. Melody: Chromaticism (I)

    • Tonicizing the Dominant & Modulations (Sections 1-8)

  • 16. Melody: Chromaticism (II)

    • Tonicization of Any Triad and Modulation (Sections 1-8)

  • 17. Rhythm and Melody: Changing Meter Signatures & Hemiola

    • Rhythmic Reading & Structured Improvisation (Sections 1-5)

  • 18. Rhythm and Melody: Subdivision of the Beat in Slow Tempi

    • Reading & Sight Singing (Sections 1-3)

  • 19. Melody: Chromaticism (III)

    • Mode Mixture & Remote Modulation (Sections 1-6)

Part IV: Diatonic Modes & Recent Music

  • 20. Melody: The Diatonic Modes

    • Folk and Composed Music (Sections 1-3)

  • 21. Rhythm and Melody: Twentieth and Twenty-First Centuries

    • Extensions of Tonal Systems & Post-Tonal Melodies (Sections 1-6)

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