The Musician’s Guide to Theory and Analysis Workbook 3rd Edition by Jane Piper Clendinning, Elizabeth West Marvin – Ebook PDF Instant Download/Delivery: 9780393442434 ,0393442438
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ISBN 10: 0393442438
ISBN 13: 9780393442434
Author: Jane Piper Clendinning, Elizabeth West Marvin
The most pedagogically sophisticated text on the market, The Musician’s Guide is the most complete resource for the theory curriculum that anyone can use. With a wider, more inclusive, repertoire than ever, the text explores music that will be relevant to every musician with clear, accessible prose.
The Musician’s Guide to Theory and Analysis Workbook 3rd Edition Table of contents:
Chapter 1: Fundamentals of Music
- 1.1 Notation of Pitch and Rhythm
- 1.2 Intervals and Interval Recognition
- 1.3 Scales and Key Signatures
- 1.4 Basic Time Signatures and Rhythms
- Exercises on identifying and writing intervals, scales, and rhythms.
Chapter 2: Scales and Keys
- 2.1 Major and Minor Scales
- 2.2 Harmonic Minor and Melodic Minor
- 2.3 Key Signatures and Circle of Fifths
- 2.4 Transposition of Scales and Keys
- Exercises on scale construction, key identification, and transposition.
Chapter 3: Intervals and Chords
- 3.1 Diatonic Intervals
- 3.2 Simple and Compound Intervals
- 3.3 Triads: Major, Minor, Diminished, Augmented
- 3.4 Seventh Chords
- Exercises on identifying and writing intervals and chords.
Chapter 4: Chord Progressions and Harmony
- 4.1 Diatonic Harmony in Major and Minor Keys
- 4.2 Voice Leading and Chord Spelling
- 4.3 Cadences: Perfect, Plagal, Interrupted, and Half Cadences
- 4.4 Common Chord Progressions (I-IV-V-I, ii-V-I)
- Exercises on harmonizing melodies and creating chord progressions.
Chapter 5: Melodic and Harmonic Analysis
- 5.1 Phrase Structure and Periods
- 5.2 Melodic Motives and Sequences
- 5.3 Harmonic Function and Analysis
- 5.4 Analyzing Musical Phrases and Cadences
- Exercises on identifying harmonic functions and analyzing melodic structure.
Chapter 6: Rhythm and Meter
- 6.1 Simple and Compound Meter
- 6.2 Syncopation and Irregular Rhythms
- 6.3 Polyrhythms and Cross-Rhythms
- Exercises on rhythmic dictation, identifying meters, and rhythm practice.
Chapter 7: Tonicization and Modulation
- 7.1 Tonicization and Secondary Dominants
- 7.2 Modulation to Closely Related Keys
- 7.3 Modulation to Distantly Related Keys
- Exercises on recognizing and analyzing modulations.
Chapter 8: Counterpoint and Voice Leading
- 8.1 Two-Part Counterpoint: Species 1-5
- 8.2 Voice Leading Principles in Classical Harmony
- 8.3 Creating Counterpoint Lines and Exercises
- Exercises on writing and analyzing counterpoint lines and voice leading.
Chapter 9: Form and Analysis
- 9.1 Binary and Ternary Forms
- 9.2 Sonata Form and Exposition
- 9.3 Rondo, Theme and Variations
- 9.4 Analyzing Larger Forms: Sonata and Binary Forms
- Exercises on identifying and analyzing musical forms in different styles.
Chapter 10: Advanced Harmonic Topics
- 10.1 Neapolitan Chord, Augmented Sixth Chords
- 10.2 Chromaticism and Modulation
- 10.3 Advanced Voice Leading Techniques
- Exercises on analyzing chromatic harmony and advanced harmonic functions.
Chapter 11: Musical Styles and Historical Context
- 11.1 Classical Period Harmony and Form
- 11.2 Romantic Era Harmony and Orchestration
- 11.3 20th-Century Music and Contemporary Styles
- Exercises analyzing historical music examples from different periods.
Appendices
- A: Key Signatures and Interval Charts
- B: Glossary of Musical Terms
- C: Answer Key to Selected Exercises
- D: Additional Practice Exercises
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