The Real Easy Ear Training Book 1st edition by Roberta Radley – Ebook PDF Instant Download/Delivery: 188321761X, 9781883217617
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ISBN 10: 188321761X
ISBN 13: 9781883217617
Author: Roberta Radley
All great musicians have one thing in common—to a great extent they know what the harmony of a song is as they hear it. Do you? If not, here is a practical guide to get you up to speed. Written by Berklee professor Roberta Radley, it uses contemporary music to help you see how ear training is invaluable for your own musical needs. The audio portion of this book is available for free download at http://www.shermusic.com/new/downloads.shtml.
The Real Easy Ear Training Book 1st Table of contents:
Introduction
Chapter 1 Hearing the Bass Line
Introduction
Learning the Solfege Language
Using the “Sol-fa” System
Hearing the Diatonic Bass Line as a Melody
Chapter 2 Hearing Major Triads
Introduction
Hearing the Major Triad Sound
Hearing the I, IV and V Major Triads
Spotlight on the “Blues Changes”
Transposing
Chapter 3 Hearing Minor Triads
Introduction
Hearing the Minor Triad Sound
Hearing the II–, III– and VI– Triads
The Benefits of Memorizing
Chapter 4 Using the Vertical Approach for Dictation
Introduction
Hearing the Diminished Triad Sound
Hearing the Augmented Triad Sound
Hearing the VII° Triad
The Diatonic Cycle 5 Pattern
Some Theory Basics of Diatonic Harmony
Chapter 5 Introducing the Horizontal Approach
Introduction
Singing Root Position Arpeggios
Singing Melodic Arpeggios
Voice-Leading through a Chord Progression
Chapter 6 Using the Horizontal Approach for Dictation
Introduction
Hearing the Individual Notes of the Chord
Hearing the Third of the Triad as the “Guide Tone”
The Vsus4 Triad
Ten Transcribing Tips from the Desk of Ms. Radley
Chapter 7 Hearing Inversions of the I, IV and V Triads
Introduction
Inversions
Hearing the 1st and 2nd Inversions of the I Chord
Hearing the 1st and 2nd Inversions of the IV Chord
Hearing 1st and 2nd Inversions of the V Chord
Chapter 8 Melody and Harmony Relationship
Introduction
Melody Is Harmony
Transcribing the Melody for Harmonic Information
Harmonizing the Melody
Chapter 9 Hearing Seventh Chords
Introduction
Hearing the Major 7th and Dominant 7th Chords
The Major 7th Chord Sound
The 7th as a Second Guide Tone
The Dominant 7th Chord Sound
The Tritone Interval
Hearing the Minor 7th and Min7b5 Chords
The Minor 7th Chord Sound
The Minor 7b5 Chord Sound
Chapter 10 More on Hearing Seventh Chords
Introduction
Voice-Leading the Guide Tones, the 3rd and 7th, of Seventh Chords
Relationship of Melody and Harmony
Hearing the Passing 7th
Chapter 11 Hearing Minor Key Harmony
Introduction
Minor Scale Solfege
Diatonic Chords in Natural Minor
About Relative Minor
Root Position Diatonic Triads in the Cycle 5 Pattern
Voice-Leading Diatonic Triads in the Cycle 5 Pattern
About Harmonic Minor
Working with Seventh Chords in the Minor Key
Minor Scale Combinations
Minor Line Clichés
Voice-Leading Guide Tone Lines in the Minor Key
Chapter 12 Hearing Non-Diatonic Harmony
Introduction
Introducing the Chromatic Scale and Its Solfege Syllables
Why Two Names for the Same Pitch?
Listening for the Non-Diatonic Chords
Modal Interchange Chords
Secondary Dominant Chords
Recognizing the Guide Tones of Secondary Dominants
Voice-Leading the Secondary Dominant Guide Tone Lines
Helping Out the Ears with Theory
Summary
Appendix
Discography
About the Author
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Tags: Roberta Radley, The Real, Training Book