Real Time Rendering 4th Edition by Tomas Akenine Moller, Eric Haines, Naty Hoffman ISBN 1351816144 9781351816144

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ISBN 10: 1351816144
ISBN 13: 9781351816144
Author: Tomas Akenine Moller, Eric Haines, Naty Hoffman

Thoroughly updated, this fourth edition focuses on modern techniques used to generate synthetic three-dimensional images in a fraction of a second. With the advent of programmable shaders, a wide variety of new algorithms have arisen and evolved over the past few years. This edition discusses current, practical rendering methods used in games and other applications. It also presents a solid theoretical framework and relevant mathematics for the field of interactive computer graphics, all in an approachable style. New to this edition: new chapter on VR and AR as well as expanded coverage of Visual Appearance, Advanced Shading, Global Illumination, and Curves and Curved Surfaces.

Real Time Rendering 4th Table of contents:

1 Introduction

1.1 Overview

1.2 Notation and Definitions

2 The Graphics Rendering Pipeline

2.1 Architecture

2.2 The Application Stage

2.3 Geometry Processing

2.4 Rasterization

2.5 Pixel Processing

2.6 Through the Pipeline

3 The Graphics Processing Unit

3.1 Data-Parallel Architectures

3.2 GPU Pipeline Overview

3.3 The Programmable Shader Stage

3.4 The Evolution of Programmable Shading and APIs

3.5 The Vertex Shader

3.6 The Tessellation Stage

3.7 The Geometry Shader

3.8 The Pixel Shader

3.9 The Merging Stage

3.10 The Compute Shader

4 Transforms

4.1 Basic Transforms

4.2 Special Matrix Transforms and Operations

4.3 Quaternions

4.4 Vertex Blending

4.5 Morphing

4.6 Geometry Cache Playback

4.7 Projections

5 Shading Basics

5.1 Shading Models

5.2 Light Sources

5.3 Implementing Shading Models

5.4 Aliasing and Antialiasing

5.5 Transparency, Alpha, and Compositing

5.6 Display Encoding

6 Texturing

6.1 The Texturing Pipeline

6.2 Image Texturing

6.3 Procedural Texturing

6.4 Texture Animation

6.5 Material Mapping

6.6 Alpha Mapping

6.7 Bump Mapping

6.8 Parallax Mapping

6.9 Textured Lights

7 Shadows

7.1 Planar Shadows

7.2 Shadows on Curved Surfaces

7.3 Shadow Volumes

7.4 Shadow Maps

7.5 Percentage-Closer Filtering

7.6 Percentage-Closer Soft Shadows

7.7 Filtered Shadow Maps

7.8 Volumetric Shadow Techniques

7.9 Irregular Z-Buffer Shadows

7.10 Other Applications

8 Light and Color

8.1 Light Quantities

8.2 Scene to Screen

9 Physically Based Shading

9.1 Physics of Light

9.2 The Camera

9.3 The BRDF

9.4 Illumination

9.5 Fresnel Reflectance

9.6 Microgeometry

9.7 Microfacet Theory

9.8 BRDF Models for Surface Reflection

9.9 BRDF Models for Subsurface Scattering

9.10 BRDF Models for Cloth

9.11 Wave Optics BRDF Models

9.12 Layered Materials

9.13 Blending and Filtering Materials

10 Local Illumination

10.1 Area Light Sources

10.2 Environment Lighting

10.3 Spherical and Hemispherical Functions

10.4 Environment Mapping

10.5 Specular Image-Based Lighting

10.6 Irradiance Environment Mapping

10.7 Sources of Error

11 Global Illumination

11.1 The Rendering Equation

11.2 General Global Illumination

11.3 Ambient Occlusion

11.4 Directional Occlusion

11.5 Diffuse Global Illumination

11.6 Specular Global Illumination

11.7 Unified Approaches

12 Image-Space Effects

12.1 Image Processing

12.2 Reprojection Techniques

12.3 Lens Flare and Bloom

12.4 Depth of Field

12.5 Motion Blur

13 Beyond Polygons

13.1 The Rendering Spectrum

13.2 Fixed-View Effects

13.3 Skyboxes

13.4 Light Field Rendering

13.5 Sprites and Layers

13.6 Billboarding

13.7 Displacement Techniques

13.8 Particle Systems

13.9 Point Rendering

13.10 Voxels

14 Volumetric and Translucency Rendering

14.1 Light Scattering Theory

14.2 Specialized Volumetric Rendering

14.3 General Volumetric Rendering

14.4 Sky Rendering

14.5 Translucent Surfaces

14.6 Subsurface Scattering

14.7 Hair and Fur

14.8 Unified Approaches

15 Non-Photorealistic Rendering

15.1 Toon Shading

15.2 Outline Rendering

15.3 Stroke Surface Stylization

15.4 Lines

15.5 Text Rendering

16 Polygonal Techniques

16.1 Sources of Three-Dimensional Data

16.2 Tessellation and Triangulation

16.3 Consolidation

16.4 Triangle Fans, Strips, and Meshes

16.5 Simplification

16.6 Compression and Precision

17 Curves and Curved Surfaces

17.1 Parametric Curves

17.2 Parametric Curved Surfaces

17.3 Implicit Surfaces

17.4 Subdivision Curves

17.5 Subdivision Surfaces

17.6 Efficient Tessellation

18 Pipeline Optimization

18.1 Profiling and Debugging Tools

18.2 Locating the Bottleneck

18.3 Performance Measurements

18.4 Optimization

18.5 Multiprocessing

19 Acceleration Algorithms

19.1 Spatial Data Structures

19.2 Culling Techniques

19.3 Backface Culling

19.4 View Frustum Culling

19.5 Portal Culling

19.6 Detail and Small Triangle Culling

19.7 Occlusion Culling

19.8 Culling Systems

19.9 Level of Detail

19.10 Rendering Large Scenes

20 Efficient Shading

20.1 Deferred Shading

20.2 Decal Rendering

20.3 Tiled Shading

20.4 Clustered Shading

20.5 Deferred Texturing

20.6 Object- and Texture-Space Shading

21 Virtual and Augmented Reality

21.1 Equipment and Systems Overview

21.2 Physical Elements

21.3 APIs and Hardware

21.4 Rendering Techniques

22 Intersection Test Methods

22.1 GPU-Accelerated Picking

22.2 Definitions and Tools

22.3 Bounding Volume Creation

22.4 Geometric Probability

22.5 Rules of Thumb

22.6 Ray/Sphere Intersection

22.7 Ray/Box Intersection

22.8 Ray/Box Intersection

22.9 Ray/Polygon Intersection

22.10 Plane/Box Intersection

22.11 Triangle/Triangle Intersection

22.12 Triangle/Box Intersection

22.13 Bounding-Volume/Bounding-Volume Intersection

22.14 View Frustum Intersection

22.15 Line/Line Intersection

22.16 Intersection between Three Planes

23 Graphics Hardware

23.1 Rasterization

23.2 Massive Compute and Scheduling

23.3 Latency and Occupancy

23.4 Memory Architecture and Buses

23.5 Caching and Compression

23.6 Color Buffering

23.7 Depth Culling, Testing, and Buffering

23.8 Texturing

23.9 Architecture

23.10 Case Studies

23.11 Ray Tracing Architectures

24 The Future

24.1 Everything Else

24.2 You

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