Scheduling and Budgeting Your Film 2nd Edition by Paula Landry – Ebook PDF Instant Download/Delivery: 1138210617, 978-1138210615
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Product details:
ISBN 10: 1138210617
ISBN 13: 978-1138210615
Author: Paula Landry
Budgeting and scheduling are easy in principle but hard in practice. The successful producer has a solid plan for juggling dozens of activities and costs while retaining the flexibility to cope with those inevitable last-minute changes and stay on course. Preplanning the budget and schedule of any media project is absolutely essential, and the 2nd edition of Scheduling and Budgeting Your Film: A Panic-Free Guide shows you the intricacies of handling both budgeting and scheduling successfully.
This new and updated edition explains the fundamentals of line producing in an easy-to-understand style, and includes tips and techniques that apply no matter what kind of scheduling or budgeting software you’re using. Author Paula Landry includes detailed examples of breakdown forms, organizing resources, distribution expenses, and hidden costs, and discusses how to set realistic priorities and find industry and state tax incentives. The new edition also includes discussions of transmedia and multi-purpose shooting, special considerations for VR, 4K and 3D shooting, new web platforms and mobile technology, crowd funding, film festivals, and much more.
Scheduling and Budgeting Your Film 2nd Table of contents:
Chapter One—Schedule and Budget Basics
What is Production Management?
The Schedule and Budget Relationship
Who Manages the Schedule and Budget
A Little History
Helpful Tools and Software
A Manual and Computer Approach
Trends to Consider
Basic Steps and Stages
Scheduling
Budgeting
End Uses of the Schedule and Budget
End of Chapter One Review
Chapter Two—Identifying Resources: The Breakdown
Is There One Way to Breakdown a Script?
When is a Breakdown Created?
Relationship of Script and Breakdown
Script Format
Screenplay Software and Online Collaboration Tools
Set Up Your System: Software, Colors, Numbers
Breakdown Forms
The Process of Breaking Down a Script
Read Script Completely
Number Scenes
Eighths of a Page
Identify Resources
Transfer Information to Breakdown Forms
End of Chapter Two Review
Chapter Three—Organizing Resources: The Schedule
What are the chances your team will exactly follow your first version of a schedule down to the minute?
Creating a Schedule
Your System: Workflow and Consistency
The Process: Transfer Breakdown Information Into Schedule
A. Fill Out the Production Information
B. Transfer and Verify Information to a Breakdown Sheet in the Software, One Scene at a Time
C. Assign Cast an ID Number
Grouping Like Things
Sorting by Set
Sorting by Cast
The Most Finite Resource
Arrange Schedule for Maximum Efficiency
One-Liner Schedule
Day Out of Days
Factors Impacting the Schedule
Length of Script and Genre
Format
Shooting Ratio and Experience
Unions and Guilds
Locations
Length of Shooting Week/Day
Sample Schedules
End of Chapter Three Review
Chapter Four—Pricing Resources: The Budget
Budget Components
Construction
Presentation
Calculation
Account Numbers
Backing into a Number
Price Resources
Step 1. Identify and Obtain Prices
Step 2. Negotiate
Step 3. Lock in Your Deals
Factors Impacting the Budget
Type of Project and End Uses
Locations and Incentives
Wages, Unions and Guilds
Project Length and Format
Financing and Crowdfunding
Building a Budget
Setup
Above the Line: Creative and Development Costs
Below the Line: Production
Below the Line: Post Production
Below the Line: Other Expenses
Sample Budgets
End of Chapter Four Review
Chapter Five—Helpful Scheduling and Budgeting Tips
Evolution of the Schedule and Budget
The Team
Priorities, Prices, and Deal Making
Changes During Shooting
Safety, Insurance and Legal
Safety and Insurance
Legal
Publicity, Marketing and Film Festivals
Distribution Expenses
Hidden Expenses
End of Chapter Five Review
Chapter Six—Managing Resources
Relationship Between Script, Schedule and Budget
Lock It Up
Production Accountant, AD, and Line Producer
The First Assistant Director (AKA AD) Runs the Set
The Line Producer Runs the Production Office
Optimize the Shoot
No Unnecessary Movement
Consider the Weather
Days Off, Turnaround, Meal Times
Using a Second Unit
Other Factors
End of Chapter Six Review
Chapter Seven—Special Considerations
Narrative Feature Film
Marathon Mentality
More Money
Don’t Wait to Budget (Time and Cash) for Marketing and Distribution
Documentary Film
Shorts, Web Videos, and Webisodes
Television
Who’s Driving the Bus
The Pilot
Educational and Corporate Film
Working Without a Script
End of Chapter Seven Review
Chapter Eight—Additional Topics You are Bound to Encounter
Scheduling
Contrast and Compare
Questions About Eighths
Script Inconsistency and New Versions
Honing Your Scheduling Skills
Location, Location, Location
Budgeting
Digital Format
Checking Your Numbers
Currency Conversion
End of Chapter Eight Review
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