Theory Essentials An Integrated Approach to Harmony Ear Training and Keyboard Skills 2nd edition by Connie Mayfield ISBN 1133713807 9781133713807
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Theory Essentials An Integrated Approach to Harmony Ear Training and Keyboard Skills 2nd edition by Connie Mayfield – Ebook PDF Instant Download/Delivery: 1133713807, 9781133713807
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Product details:
ISBN 10: 1133713807
ISBN 13: 9781133713807
Author: Connie Mayfield
THEORY ESSENTIALS, 2/e offers a unique, total solution to teaching music theory. Integrating all the components of the two-year music theory sequence, the text and its accompanying workbook synthesize the major topics in music theory with aural skills, keyboard applications, and examples from the literature. Offering terrific value, THEORY ESSENTIALS replaces the need for the four separate texts traditionally required for the music theory sequence (theory, ear training/sight singing, keyboard harmony, and an anthology). The result is a remarkable, carefully-paced synthesis of these components that moves from a solid grounding in Fundamentals, Diatonic Harmony, Secondary Function chords, and Twentieth-Century Techniques.
Theory Essentials An Integrated Approach to Harmony Ear Training and Keyboard Skills 2nd Table of contents:
Ch 1: The Basics of Reading Music
Theoretical Skills
Aural Skills
Keyboard Applications
Ch 2: Major Scales and Key Signatures
Theoretical Skills
Aural Skills
Keyboard Applications
Looking Ahead
Ch 3: Intervals
Theoretical Skills
Aural Skills
Keyboard Applications
Ch 4: Minor Scales and Key Signatures
Theoretical Skills
Aural Skills
Keyboard Applications
Ch 5: Triads and Figured Bass
Theoretical Skills
Aural Skills
Keyboard Applications
Looking Ahead
Ch 6: The Basics of Diatonic Harmony
Theoretical Skills
Aural Skills
Keyboard Applications
Ch 7: Part Writing with Root-Position Chords
Theoretical Skills
Aural Skills
Keyboard Applications
Ch 8: Root Movement by Fifth
Theoretical Skills
Aural Skills
Keyboard Applications
Looking Ahead
Ch 9: Root Movement by Second
Theoretical Skills
Aural Skills
Keyboard Applications
Ch 10: Root Movement by Third and Other Progressions
Theoretical Skills
Aural Skills
Keyboard Applications
Ch 11: Second-Inversion Chords
Theoretical Skills
Aural Skills
Keyboard Applications
Ch 12: First-Inversion Chords
Theoretical Skills
Aural Skills
Keyboard Applications
Ch 13: The Leading-Tone Triad and Other First-Inversion Practices
Theoretical Skills
Aural Skills
Keyboard Applications
Ch 14: Introduction to Simple Nonharmonic Tones
Theoretical Skills
Aural Skills
Keyboard Applications
Ch 15: Appoggiaturas, Escape Tones, and Pedal Tones
Theoretical Skills
Aural Skills
Keyboard Applications
Ch 16: Suspensions, Retardations, and Anticipations
Theoretical Skills
Aural Skills
Keyboard Applications
Ch 17: Introduction to Seventh Chords
Theoretical Skills
Aural Skills
Keyboard Applications
Ch 18: Dominant and Leading-Tone Seventh Chords
Theoretical Skills
Aural Skills
Keyboard Applications
Looking Ahead
Ch 19: Additional Seventh Chords
Theoretical Skills
Aural Skills
Keyboard Applications
Ch 20: Diatonic Modulation
Theoretical Skills
Aural Skills
Keyboard Applications
Ch 21: Introduction to Secondary Dominants
Theoretical Skills
Aural Skills
Keyboard Applications
Ch 22: Secondary Dominants of the Dominant
Theoretical Skills
Aural Skills
Keyboard Applications
Ch 23: Secondary Dominants of the Supertonic and Subdominant
Theoretical Skills
Aural Skills
Keyboard Applications
Ch 24: Secondary Dominants of the Mediant and Submediant
Theoretical Skills
Aural Skills
Keyboard Applications
Ch 25: Chromatic Modulation
Theoretical Skills
Aural Skills
Keyboard Applications
Ch 26: Borrowed Chords
Theoretical Skills
Aural Skills
Keyboard Applications
Ch 27: Neapolitan Triads and Other Altered Chords
Theoretical Skills
Aural Skills
Keyboard Applications
Ch 28: Additional Modulation Techniques
Theoretical Skills
Aural Skills
Keyboard Applications
Ch 29: Introduction to Augmented Sixth Chords
Theoretical Skills
Aural Skills
Keyboard Applications
Ch 30: Augmented Sixth Chords in Context
Theoretical Skills
Aural Skills
Keyboard Applications
Ch 31: Enharmonic Modulation with German Sixths
Theoretical Skills
Aural Skills
Keyboard Applications
Ch 32: Enharmonic Modulation with Fully Diminished Seventh Chords
Theoretical Skills
Aural Skills
Keyboard Applications
Ch 33: Introduction to Modes
Theoretical Skills
Aural Skills
Keyboard Applications
Ch 34: Impressionist Techniques
Theoretical Skills
Aural Skills
Keyboard Applications
Ch 35: Jazz Theory
Theoretical Skills
Aural Skills
Keyboard Applications
Ch 36: Techniques of Nontonal Music
Theoretical Skills
Aural Skills
Keyboard Applications
Ch 37: Nontertian Harmonic Techniques
Theoretical Skills
Aural Skills
Keyboard Applications
Ch 38: Pitch Class Set Theory
Theoretical Skills
Aural Skills
Keyboard Applications
Ch 39: Serialism
Theoretical Skills
Aural Skills
Keyboard Applications
Ch 40: Avant-Garde and Electronic Music
Theoretical Skills
Aural Skills
Keyboard Applications
Composer Index
Index
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Tags: Connie Mayfield, Theory Essentials, Integrated Approach, Keyboard Skills