Instant download Theory Essentials An Integrated Approach to Harmony Ear Training and Keyboard Skills pdf, docx, kindle format all chapters after payment. ISBN(s): 9781133713807, 1133713807
Product details:
- ISBN 10: 1133713807
- ISBN 13: 9781133713807
- Author: Connie Mayfield
THEORY ESSENTIALS, 2/e offers a unique, total solution to teaching music theory. Integrating all the components of the two-year music theory sequence, the text and its accompanying workbook synthesize the major topics in music theory with aural skills, keyboard applications, and examples from the literature. Offering terrific value, THEORY ESSENTIALS replaces the need for the four separate texts traditionally required for the music theory sequence (theory, ear training/sight singing, keyboard harmony, and an anthology). The result is a remarkable, carefully-paced synthesis of these components that moves from a solid grounding in Fundamentals, Diatonic Harmony, Secondary Function chords, and Twentieth-Century Techniques.
Important Notice: Media content referenced within the product description or the product text may not be available in the ebook version.
Table contents:
Ch 1: The Basics of Reading Music
Ch 2: Major Scales and Key Signatures
Ch 3: Intervals
Ch 4: Minor Scales and Key Signatures
Ch 5: Triads and Figured Bass
Ch 6: The Basics of Diatonic Harmony
Ch 7: Part Writing with Root-Position Chords
Ch 8: Root Movement by Fifth
Ch 9: Root Movement by Second
Ch 10: Root Movement by Third and Other Progressions
Ch 11: Second-Inversion Chords
Ch 12: First-Inversion Chords
Ch 13: The Leading-Tone Triad and Other First-Inversion Practices
Ch 14: Introduction to Simple Nonharmonic Tones
Ch 15: Appoggiaturas, Escape Tones, and Pedal Tones
Ch 16: Suspensions, Retardations, and Anticipations
Ch 17: Introduction to Seventh Chords
Ch 18: Dominant and Leading-Tone Seventh Chords
Ch 19: Additional Seventh Chords
Ch 20: Diatonic Modulation
Ch 21: Introduction to Secondary Dominants
Ch 22: Secondary Dominants of the Dominant
Ch 23: Secondary Dominants of the Supertonic and Subdominant
Ch 24: Secondary Dominants of the Mediant and Submediant
Ch 25: Chromatic Modulation
Ch 26: Borrowed Chords
Ch 27: Neapolitan Triads and Other Altered Chords
Ch 28: Additional Modulation Techniques
Ch 29: Introduction to Augmented Sixth Chords
Ch 30: Augmented Sixth Chords in Context
Ch 31: Enharmonic Modulation with German Sixths
Ch 32: Enharmonic Modulation with Fully Diminished Seventh Chords
Ch 33: Introduction to Modes
Ch 34: Impressionist Techniques
Ch 35: Jazz Theory
Ch 36: Techniques of Nontonal Music
Ch 37: Nontertian Harmonic Techniques
Ch 38: Pitch Class Set Theory
Ch 39: Serialism
Ch 40: Avant-Garde and Electronic Music
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