Understanding Audio Getting the Most Out of Your Project or Professional Recording Studio 2nd edition by Daniel Thompson – Ebook PDF Instant Download/Delivery: 1495028755, 978-1495028755
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Product details:
ISBN 10: 1495028755
ISBN 13: 978-1495028755
Author: Daniel Thompson
A Modern Recording Guide for Aspiring and Professional Engineers * Understanding Audio by Daniel M. Thompson is an essential resource for anyone working in a music studio environmentfrom first-time producers to seasoned engineers. Whether you’re building a home setup or managing a professional recording space, this book provides in-depth explanations that help demystify complex audio processes. * * Master the Science Behind Great Sound * This comprehensive guide covers essential audio theory, studio signal flow, cabling, acoustics, psychoacoustics, and much more. It balances practical instruction with technical depth, giving you the tools to troubleshoot, optimize, and enhance your recording workflow. * * Bridge the Gap Between Gear and Results * Understanding how sound behaves in physical and digital environments is critical for capturing clean, professional audio. This book empowers readers to make informed decisions about equipment placement, wiring, room acoustics, and audio interfaces to achieve the highest possible sound quality. * * Includes Projects and Real-World Studio Insights * Apply what you learn immediately with practical end-of-chapter assignments that reinforce concepts in your own recording environment. Includes real studio examples that connect theory to practice. * * A Valuable Music Teacher Resource or Gift for Audio Enthusiasts * Ideal as a classroom tool, professional reference, or gift for audio students and sound engineers alike.
Understanding Audio Getting the Most Out of Your Project or Professional Recording Studio 2nd Table of contents:
CHAPTER 1. THE RECORDING STUDIO: A BRIEF HISTORY AND OVERVIEW
Early Recording
The Modern-Era (Post-1960s) Recording Studio
Basic Recording Studio Signal Flow
Recording Studios in the Digital Age
CHAPTER 2. RECORDING STUDIO BASICS
The Recording Process
Sound Source
Recording Console/Mixer
Signal Processors
Signal Destinations
Summary
CHAPTER 3. BASIC SYMBOLS AND SIGNAL FLOW: THE AUDIO MA
Flowchart Basics
Symbol
Normalled Connections
Projects: Signal Flow Exercises
CHAPTER 4. ADVANCED SIGNAL FLOW: THE RECORDING CONSOLE
Console Architecture
I/O Module
Channel Path/Monitor Path
Master (Center) Section
Advanced Console Flow
Split Console
Digital Consoles/Mixers
Projects: Signal Flow Exercises
CHAPTER 5. THE DAW: WORKING INSIDE THE BOX
DAW Systems Signal Flow
DAW Recording/Mixing Signal Flow
DAW Signal Metering
Projects: DAW Signal Flow
CHAPTER 6. BASIC ACOUSTICS: WHAT IS SOUND?
Sound and Vibration
Simple Harmonic Motion
Frequency and Period
Wavelength
Amplitude (Peak vs RMS)
Complex Sound (Fourier)
CHAPTER 7. DIGITAL AUDIO: EVERY LITTLE BIT COUNTS
A/D Conversion
D/A Process
Practical Complications with Digital Audio
High-Resolution Audio
Projects
CHAPTER 8. AUDIO BASICS
Electricity
Ohm’s Law
Impedance
AC Electrical Circuits
Grounding
Projects
CHAPTER 9. ADVANCED AUDIO: THE STUDIO—INTERCONNECTIONS
Impedance
Matching vs Bridging Impedances
Balanced vs Unbalanced Connections
Cables and Interconnects
Ground Loops
System Noise Prevention
Projects
CHAPTER 10. DIGITAL STUDIO CONNECTIONS: BIT BY BIT
Digital Cables
Digital Interface and Audio Transfer Protocols
Interconnections: Word Clock
Projects
CHAPTER 11. DIGITAL CONTROL SYSTEMS: SHALL WE DANCE?
MIDI: Musical Instrument Digital Interface
MIDI Connections
MIDI Data
MIDI System Setup
Software Synthesis: Virtual Instruments
MIDI Expanded for the 21st Century
Synchronization
Non-MIDI Digital Control Protocols
Project
CHAPTER 12. ANALOG MAGNETIC RECORDING: IT’S ONLY TAPE
Analog Recording Process
Analog Tape Alignment
Alignment Procedure
Reference Levels
Noise Reduction
Transport
Projects
CHAPTER 13. DECIBELS: dB OR NOT dB?
Origins
Logarithms
Power and Intensity
Loudness
Bels and Decibels
Projects
CHAPTER 14. SOUND REFERENCE LEVELS: MORE dB
Sound Power Level (dB PWL)
Sound Intensity Level (SIL)
Sound Pressure Level (dB SPL)
Inverse Square Law
Electrical Power and Voltage
Origins of 0 dB Reference Levels
Projects
CHAPTER 15. PSYCHOACOUSTICS: RELATING dB TO WHAT WE HEAR
The Audio Window
Equal Loudness Contours
Localization
Stereo Miking Techniques
Stereo Sound Reproduction
Masking
Projects
CHAPTER 16. THE AUDIO WINDOW: RELATING WHAT WE HEAR TO THE GEAR
The Audio Window Revisited
Signal-to-Noise Ratio, Dynamic Range, Standard Operating Level (SOL), and Maximim Output Leve
Digital Signal Metering
The Loudness Wars
Harmonic Distortion
Frequency Response
Projects
CHAPTER 17. GAIN STRUCTURES: PUTTING IT ALL TOGETHER
System Levels
Recording Gain Structure
Projects
CHAPTER 18. STUDIO AND LISTENING ROOM ACOUSTICS: WHERE IT ALL BEGINS AND ENDS
Room Modes (Standing Waves)
Speaker Placement
Reflections (Reverberation)
Control Room Design
Reverberation Time (T60)
Room Treatment
Diffusion
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