Understanding Movies 14th edition by Louis Giannetti – Ebook PDF Instant Download/Delivery: B074V68X5N , 978-0134002859
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ISBN 10: B074V68X5N
ISBN 13: 978-0134002859
Author: Louis Giannetti
For courses in Introduction to Film
An engaging, accessible introduction to film
Understanding Movies(2-Downloads) provides valuable insight into the language of film and how meaning is conveyed to audiences. Author Louis Giannetti engages students in the fascinating language systems and techniques of film and helps further their appreciation and understanding of why and how movie watchers respond as they do to different films. Building upon the visually engaging and accessible presentation of previous editions, the Fourteenth Edition adds updated photos, new content on the latest cinematic trends, and coverage of recent films to provide students a new way of looking at films that are familiar to them.
Understanding Movies 14th Table of contents:
Chapter 1 Photography
Learning Objectives
Realism and Formalism
The Shots
The Angles
Light and Dark
Color
Lenses, Filters, and Stocks
The Digital Revolution
The Cinematographer
Further Reading
Chapter 2 Mise En Scène
Learning Objectives
The Frame
Composition and Design
Territorial Space
Proxemic Patterns
Open and Closed Forms
Further Reading
Chapter 3 Movement
Learning Objectives
Kinetics
The Moving Camera
Mechanical Distortions of Movement
Further Reading
Chapter 4 Editing
Learning Objectives
Continuity
D. W. Griffith and Classical Cutting
Soviet Montage and the Formalist Tradition
André Bazin and the Tradition of Realism
Further Reading
Chapter 5 Sound
Learning Objectives
Historical Background
Sound Effects
Music
Musicals
Spoken Language
Further Reading
Chapter 6 Acting
Learning Objectives
Stage and Screen Acting
The American Star System
Styles of Acting
Casting
Further Reading
Chapter 7 Dramatization
Learning Objectives
Time, Space, and Language
The Director
Settings and Décor
Costumes and Makeup
Further Reading
Chapter 8 Story
Learning Objectives
Narratology
The Spectator
The Classical Paradigm
Realistic Narratives
Formalistic Narratives
Nonfictional Narratives
Genre and Myth
Further Reading
Chapter 9 Writing
Learning Objectives
The Screenwriter
The Screenplay
North by Northwest: the Screenplay
Helicopter Shot—Exterior, Highway 41—Afternoon
On the Ground—with Thornhill—(Master Scene)
Figurative Comparisons
Point of View
Literary Adaptations
Further Reading
Chapter 10 Ideology
Learning Objectives
The Left-Center-Right Model
Democratic versus Hierarchical
Environment versus Heredity
Relative versus Absolute
Secular versus Religious
Future versus Past
Cooperation versus Competition
Outsiders versus Insiders
International versus Nationalistic
Sexual Freedom versus Marital Monogamy
Culture, Religion, and Ethnicity
Feminism
Queer Cinema
Tone
Further Reading
Chapter 11 Critique
Learning Objectives
Theories of Realism
Formalist Film Theories
The Auteur Theory
Eclectic and Synthesizing Approaches
Structuralism and Semiology
Historiography
Further Reading
Chapter 12 Synthesis Citizen Kane
Learning Objectives
Photography
Mise en Scène
Movement
Editing
Sound
Acting
Dramatization
Story
Writing
Ideology
Critique
Further Reading
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