Workbook to Accompany The Complete Musician 4th Edition By Steven Laitz – Ebook PDF Instant Download/Delivery: 0199347107 , 978-0199347100
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Product details:
ISBN 10: 0199347107
ISBN 13: 978-0199347100
Author: Steven Laitz
The two workbooks that accompany The Complete Musician: An Integrated Approach to Theory, Analysis, and Listening, Fourth Edition, feature an organization designed specifically for flexibility: Workbook 1: Writing and Analysis, is dedicated exclusively to written and analytical activities; Workbook 2: Skills and Musicianship, focuses on singing, dictation, keyboard, and improvisation.
Both workbooks have been reorganized to reflect the new text organization. Additionally, over 200 new exercises have been written to cover twentieth-century music (chapters 30 through 32 in the main text). Additional space has been added to many exercises to allow for students to easily complete their work in each volume. All musical examples are available in streaming format on the Companion Website for The Complete Musician. Visit www.oup.com/us/laitz.
Workbook to Accompany The Complete Musician 4th Table of contents:
CHAPTER 1A. Musical Space
CHAPTER 1B. Musical Time: Pulse, Rhythm, and Meter
CHAPTER 2. Harnessing Space and Time: Introduction to Melody and Two-Voice Counterpoint
CHAPTER 3. Musical Density: Triads, Seventh Chords, and Texture
CHAPTER 4. When Harmony, Melody, and Rhythm Converge
CHAPTER 5. Tonic and Dominant as Tonal Pillars and Introduction to Voice Leading
CHAPTER 6. The Impact of Melody, Rhythm, and Meter on Harmony; Introduction to V7; and Harmonizing F
CHAPTER 7. Contrapuntal Expansions of Tonic and Dominant: Six-Three Chords
CHAPTER 8. More Contrapuntal Expansions: Inversions of V7, Introduction to Leading-Tone Seventh Chor
CHAPTER 9. The Pre-Dominant Function and the Phrase Model
CHAPTER 10. Accented and Chromatic Embellishing Tones
CHAPTER 11. Six-Four Chords, Revisiting the Subdominant, and Summary of Contrapuntal Expansions
CHAPTER 12. The Pre-Dominant Refines the Phrase Model
CHAPTER 13. The Submediant: A New Diatonic Harmony, and Further Extensions of the Phrase Model
CHAPTER 14. The Mediant, the Back-Relating Dominant, and a Synthesis of Diatonic Harmonic Relationsh
CHAPTER 15. The Period
CHAPTER 16. Other Small Musical Structures: Sentences, Double Periods, and Modified Periods
CHAPTER 17. Harmonic Sequences
CHAPTER 18. Applied Chords
CHAPTER 19. Tonicization and Modulation
CHAPTER 20. Binary Form and Variations
CHAPTER 21. Modal Mixture
CHAPTER 22. Expansion of Modal Mixture Harmonies: Chromatic Modulation and the German Lied
CHAPTER 23. The Neapolitan Chord (bII)
CHAPTER 24. The Augmented Sixth Chord
CHAPTER 25. Ternary Form
CHAPTER 26. Rondo
CHAPTER 27. Sonata Form
CHAPTER 28. New Harmonic Tendencies
CHAPTER 29. Melodic and Harmonic Symmetry Combine: Chromatic Sequences
CHAPTER 30. Vestiges of Common Practice and the Rise of a New Sound World
CHAPTER 31. Noncentric Music: Atonal Concepts and Analytical Methodology
CHAPTER 32. New Rhythmic and Metric Possibilities, Ordered PC Relations, and Twelve-Tone Tec
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